From Chapter 2:
It chaunc'd me gazing at the Theater,
To spie a Lock-Tabacco Chevalier
Clowding the loathing ayr with foggie fume
Of Dock Tobacco friendly foe to rhume—

says a versifier of 1599, who did not like smoking in the theatre and so abused the quality of the tobacco smoked—though admitting its medicinal virtue. Dekker suggests, probably with truth, that one reason why the young gallant liked to push his way to a stool on the stage, notwithstanding "the mewes and hisses of the opposed rascality"—the "mewes" must have been the squeals or whistles produced by the instrument which was later known as a cat-call—was the opportunity such a prominent position afforded for the display of "the best and most essential parts of a gallant—good cloathes, a proportionable legge, white hand, the Persian lock, and a tolerable beard." Apparently, too, serving-boys were within call, and thus lights could easily be obtained, which were handed to one another by the smokers on the points of their swords.

From Chapter 7:
Another foreign visitor to England, the Abbé Le Blanc, who was over here about 1730, found English customs rather trying. "Even at table," he says, "where they serve desserts, they do but show them, and presently take away everything, even to the tablecloth. By this the English, whom politeness does not permit to tell the ladies their company is troublesome, give them notice to retire.... The table is immediately covered with mugs, bottles and glasses; and often with pipes of tobacco. All things thus disposed, the ceremony of toasts begins."

The frowns and remonstrances of Quarterly and Monthly Meetings of Friends had not succeeded in putting the Quakers' pipes out. In a list of sea stores put on board a vessel called by the un-Quaker-like name of The Charming Polly, which brought a party of Friends across the Atlantic from Philadelphia in 1756, we find "In Samuel Fothergill's new chest ... Tobacco ... a Hamper ... a Barrel ... a box of pipes." The provident Samuel was well found for a long voyage.